Elmshorn, Thomaskirche
Builder | R. v. Beckerath |
---|---|
Year | ca. 1966 |
Period/Style | Neo-Baroque |
Stops | 31 |
Keyboards | 2+P |
Keyaction | tracker/mechanical |
Tuning | Equal at 440 Hz |
The organ of the Thomaskirche Elmshorn, built by the Rudolf von Beckerath company, is an example of successful and high-quality organ building from the 1960s.
Stylistically, instruments of this period are characterized by neo-Baroque features; the return to models of the 17th and 18th centuries (positive division, baroque stop names) is combined with a particular emphasis on an overtone-rich sound and rather narrow pipe scaling.
This instrument is crafted very solidly and its sound volume is more than adequate for the church space. As a sound tool reflecting the aesthetic development of German organ building in the two decades after World War II, it is definitely worth preserving.
Stylistically, instruments of this period are characterized by neo-Baroque features; the return to models of the 17th and 18th centuries (positive division, baroque stop names) is combined with a particular emphasis on an overtone-rich sound and rather narrow pipe scaling.
This instrument is crafted very solidly and its sound volume is more than adequate for the church space. As a sound tool reflecting the aesthetic development of German organ building in the two decades after World War II, it is definitely worth preserving.
Hauptwerk | Rückpositiv | Pedal |
---|---|---|
Quintadena 16′ | Gedackt 8′ | Subbass 16′ |
Prinzipal 8′ | Quintadena 8′ | Prinzipal 8′ |
Rohrflöte 8′ | Prinzipal 4′ | Hohlflöte 4′ |
Oktave 4′ | Blockflöte 4′ | Nachthorn 2′ |
Spielflöte 4′ | Gemshorn 2′ | Hintersatz 6fach |
Nasat 2 2/3′ | Nasat 1 1/3′ | Fagott 16′ |
Oktave 2′ | Sept 1 1/7’ | Trompete 8′ |
Flachflöte 2’ | Sifflöte 1’ | Schalmei 4’ |
Mixtur 5fach | Sesquialtera 2fach | |
Zimbel 3fach | Scharff 4fach | |
Trompete 8′ | Regal 16′ | |
Dulzian 8′ |
No Video/Audio samples available.
https://orgellandschaft-kkrm.de/orgeln/elmshorn-thomas/